ADVERTISEMENT

ADVERTISEMENT

Minnesota Historical Society seeks applicants for the Native American Artist-in-Residence Program

Applications must be submitted on or before Sept. 30, 2022

A dark fabric decorated in intricate flowers
Native foods table accent made by Jessica Gokey, Lac Courte Oreilles Band of Lake Superior Chippewa, 2014.
Contributed / Minnesota Historical Society
We are part of The Trust Project.

The Minnesota Historical Society is seeking applicants for its community engaging, Native American Artist-in-Residence program.

The program artists study the historical society’s collections in order to better understand their respective art forms and then share their knowledge with the community. More information and the application are available at www.mnhs.org/residencies/naair .

“Having the privilege of getting to work so closely with Native American Artists-in-Residence over the years has shown the positive impact this program has had on both the artists and their respective communities,” said Rita Walaszek Arndt, White Earth Ojibwe, collections outreach specialist for Native American Initiatives, MNHS, in a news release. “Each artist brings others along throughout their residency journey. This can be seen in their work and its lasting effects in the community.”

Native American Artists in Residence receive $25,000 for collections study and development of community programs as well as extensive support and training from the historical staff, interns and consultants. Artists develop a community-based project inspired by their research in order to disseminate new knowledge of the art form in the artist’s home community.

Decorated Ojibwe birchbark basket
<br/>Ojibwe birchbark appliqué basket with lid made by Pat and Gage Kruse, Red Cliff Band of Lake Superior Chippewa, 2014.<br/>
Contributed / Minnesota Historical Society

For more than eight years, the Native American Artist-in-Residence program has supported 14 Native American artists working within traditional art forms such as ash basketry, canoe making and quillwork. Research has focused on the evolution of the jingle dress in Ojibwe culture, the history of Dakota floral designs, making a dugout canoe and more. Watch Native American Artist-in-Residence artists’ stories and learn more on YouTube .

ADVERTISEMENT

Past artists-in-residence include Gerald White, Leech Lake Band of Ojibwe, who studied the process for creating ball-headed clubs or bikwaakadoo-baagamaagan.

"The handmade bagamaagan is now an endangered item in our community,” White said. “The carvers I know of number less than the fingers on one hand in the whole of the midwest." White worked closely with his son, Raining White, as his apprentice.

A vest decorated with flowers
Dakota floral vest made by Holly Young, Standing Rock Dakota, 2016.<br/><br/>
Contributed / Minnesota Historical Society

Past Native American Artists in Residence artist Dr. Denise Lajimodiere, Turtle Mountain band of Chippewa, studied pre-contact tribal art of birch bark biting. Today, birch bark biting continues in Turtle Mountain and Lajimodiere has published several books including “Josie Dances.” Jeremy Red Eagle, Sisseton Wahpeton Dakota, examined cultural games related to teachings of Dakota manhood. He is a language and cultural arts lifelong learner and teacher at Sisseton Wahpeton College. Sarah Agaton Howes, Anishinaabe Fond du Lac Nation who is an artist, teacher, designer and community organizer, studied Ojibwe split-toe moccasins and created a pattern book which she distributed to community members through public workshops.

The Native American Artists in Residence program is open to Native American artists currently residing in Minnesota, Wisconsin, North Dakota and South Dakota who are currently permitted to work within the United States. Enrollment in a federally recognized tribe is not a requirement, but the artist must be recognized by his or her community and demonstrate significant artistic knowledge.

The Native American Artists-in-Residence program is funded by Margaret A Cargill Philanthropies.

The Minnesota Historical Society is a nonprofit educational and cultural institution established in 1849. The historical society collects, preserves and tells the story of Minnesota’s past through museum exhibits, libraries and collections, historic sites, educational programs and book publishing. Using the power of history to transform lives, the society reports it “preserves our past, shares our state’s stories and connects people with history.” For more information, go to mnhs.org .

Our newsroom occasionally reports stories under a byline of "staff." Often, the "staff" byline is used when rewriting basic news briefs that originate from official sources, such as a city press release about a road closure, and which require little or no reporting. At times, this byline is used when a news story includes numerous authors or when the story is formed by aggregating previously reported news from various sources. If outside sources are used, it is noted within the story.

Hi, I'm the Brainerd Dispatch. I started working a few days before Christmas in 1881 and became a daily paper two years later. I've gone through a lot of changes over the years, but what has never changed is my commitment to community and to local journalism. I've got an entire team of dedicated people who work night and day to make sure I go out every morning, whether in print, as an e-edition, via an app or with additional information at www.brainerddispatch.com. News, weather, sports — videos, photos, podcasts and social media — all covering stories from central Minnesota about your neighbors, your lakes, your communities, your challenges and your opportunities. It's all part of the effort to keep people connected and informed. And we couldn't do it without support.
What to read next
Suspect allegedly used money to buy two trucks and some tools.
The Brainerd City Council agreed to commit $200,000 to window and stair repairs on the tower.
A roundup of area church services and events in the Brainerd lakes area.
The meeting will be 6 p.m.